Books published by publisher NYR Children's Collection

By the author of the classic The Snow Goose, a heartbreaking story about a young girl and her most unusual cat, who has magical powers that save her owner's life.Seven-year-old Mary adores her ginger cat, Thomasina, and is crushed when Thomasina falls sick, and Mary’s father, a grim, inflexible man who is the town vet, decrees that the only thing to be done is to put Thomasina down. Mary refuses to speak to her father, and then she herself contracts a life-threatening disease. In the meantime, however, Thomasina has been rescued—by the mysterious Lori, the Red Witch of the glen. Thomasina is now Tabitha, the descendant of an Egyptian goddess, and she is coming back to seek revenge! Thomasina, like Jenny of The Abandoned, Gallico’s other great feline heroine (Jenny is Thomasina’s great-aunt), tells her own story in her own way, witty, charming, divine, and sometimes as sharp as an unsheathed claw. Thomasina is a cat for the ages. Thomasina is a sheer delight.

Monster is curious about making friends, finding a home, and exploring his city. This book collects six Monster stories—written by educators Ellen Blance and Ann Cook, who worked with children to write the books—brought to life by Quentin Blake's charming illustrations. Have you met Monster? He’s not scary or mean like other monsters. He’s kind of tall and his head is skinny, and he’s purple. He’s curious about everything: the city, the river, houses, cars, trains, and what people look like, the park, the kids, the swings, the stores and clothes and stuff. It is all new to him. “Monster thinks the city is fine so he thinks he will live here.” So begins the story of gentle, playful Monster, who conducts himself with grace and courtesy, and in short order finds a home, a best friend, and a bunch of kids to play with. First introduced in 1973, Monster returns in this omnibus edition of the first six stories of an extended emerging-reader series written not only for children, but also by them. Educators Ellen Blance and Ann Cook worked with schoolchildren to write stories a child would want, and be able, to read. While most children’s books are meant to be read by adults to children, these are stories children can read to themselves or to adults. The book includes illustrations by the illustrious Quentin Blake, and a new letter to children (and one to parents) by the authors.

These seafaring tales begin on a street corner where Jim, a retired sailor, spends his days, passing the time telling a curious boy named Derry about life aboard his ship, the Rockinghorse. In the tradition of Robert Louis Stevenson’s A Child’s Garden of Verses and Rudyard Kipling’s Just So Stories, Farjeon’s tales of talking sea serpents and stew-eating chimpanzees bring the far near and turn ordinary weather into an astronomical adventure. With pen-and-ink illustrations by the maritime master artist Edward Ardizzone, Jim at the Corner is an old-fashioned adventure for the eyes and the ears.

If you think Babar is the only storybook elephant with a cult following, then you haven’t met Uncle, the presiding pachyderm of a wild fictional universe that has been collecting accolades from children and adults for going on fifty years. Unimaginably rich, invariably swathed in a magnificent purple dressing-gown, Uncle oversees a vast ramshackle castle full of friendly kooks while struggling to fend off the sneak attacks of the incorrigible (and ridiculous) Badfort Crowd. Each Uncle story introduces a new character from Uncle’s madcap world: Signor Guzman, careless keeper of the oil lakes; Noddy Ninety, an elderly train conductor and the oldest student of Dr. Lyre’s Select School for Young Gentlemen; the proprietors of Cheapman’s Store (where motorbikes are a halfpenny each) and Dearman’s Store (where the price of an old milk jug goes up daily); along with many others. But for every delightful friend of Uncle, there is a foe who is no less deliriously wicked. Luckily the misbegotten schemes of the Badfort Crowd are no match for Uncle’s superior wits. Quentin Blake’s quirky illustrations are the perfect complement to J.P. Martin’s stories, each one of a perfect length for bedtime reading. Lovers of Roald Dahl and William Steig will rejoice in Uncle’s wonderfully bizarre and happy world, where the good guys always come out on top, and once a year, everybody, good and bad, sits down together for an enormous Christmas feast.

BY THE AUTHOR OF The Big Orange Splot, The Neddiad, and Adventures of a Cat-Whiskered Girl Things Victor loves: pizza with anchovies, grape soda, B movies aired at midnight, the evening news. And with his parents off at a resort and his older sister shirking her babysitting duties, Victor has plenty of time to indulge himself and to try a few things he’s been curious about. Exploring the nearby city of Hogboro, he runs into a curious character known as the Chicken Man (a reference to his companion, an intelligent hen named Claudia who lives under his hat). The Chicken Man speaks brilliant nonsense, but he seems to be hip to the lizard musicians (real lizards, not men in lizard suits) who’ve begun appearing on Victor’s television after the broadcast of the late-late movie. Are the lizards from outer space? From “other space”? Together Victor and the Chicken Man, guided by the able Claudia, journey to the lizards’ floating island, a strange and fantastic place that operates with an inspired logic of its own.

Imagine how shocked you would be if, like ten-year-old Colin Mason, you were the oldest (smartest, best) kid in a family of four, and then you found out that all these years, without knowing it, you’ve had an older sister, an “awful, awful, bad, bad, girl—Loretta Mason Potts.” Who? What? Wait! ... But this is only the first of many surprises that lie in store for Colin, as things get curiouser and curiouser very fast. Loretta (a glum gangly girl and so very very rude!) comes home and before you know it, Colin is secretly following her down a hidden tunnel that leads from a bedroom closet to an astonishing castle, where a charming and beautiful countess keeps court attended by a dapper and ever-obliging general, and in this world everybody loves Loretta (especially when she’s rude), so much so that they’re begging her to stay with them forever. What is the secret behind this mysterious other world and how does it connect to the many secrets in the Mason family? It’ll take a spellbinding, hair-raising adventure, involving not just Colin and Loretta but their mother and the rest of the family, to work that out.

These seafaring tales begin on a street corner where Jim, a retired sailor, spends his days, passing the time telling a curious boy named Derry about life aboard his ship, the Rockinghorse. In the tradition of Robert Louis Stevenson’s A Child’s Garden of Verses and Rudyard Kipling’s Just So Stories, Farjeon’s tales of talking sea serpents and stew-eating chimpanzees bring the far near and turn ordinary weather into an astronomical adventure. With pen-and-ink illustrations by the maritime master artist Edward Ardizzone, Jim at the Corner is an old-fashioned adventure for the eyes and the ears.

Donkey-donkey has a problem. Despite his many friends and his good master, he is sad because his ears are so long and ridiculous. If only Donkey-donkey could have short sensible ears like his friend Pat the horse, he would be content. So he seeks the advice of his fellow farm animals who suggest he wear his ears differently, more like theirs: floppy like the dog’s, to the side like the sheep’s, to the front like the pig’s. But each unnatural arrangement leads to increasing insult and injury. Finally a little girl passing by remarks on the beauty of the pretty little donkey’s ears! At last Donkey-donkey is happy. A classic tale of vanity and folly, and learning to accept oneself—protrudent ears, redundant name, and all.

"Well, there was a man once, and he had a bear . . ." begins this story about a life long friendship between man and beast. The Bearman and the bear understand each other. Together they travel all over the country, "a part of the highway like the knotty old apple trees and whitehorn bushes," as they go from village to village, where they play music and juggle and dance and the children are always happy to see them. At night they sleep in the open, and before they do the Bearman tells a story and plays a beautiful melody on his horn for the bear and for God, a melody so beautiful that all the animals in the forest raise their heads and the leaves themselves stop rustling and listen.And yet the Bearman and the bear have enemies: the jealous members of the Duda family, who are thieves and tricksters; and even more than that, the dogs. And when the Bearman dies, the bear must retreat into the wilderness for safety—until, after many adventures, he meets a new friend: a boy.The Bear and the People is a lovely parable of friendship and courage and reverence for the natural world. It is a tale that is as exciting as it is touching and profound, and it will delight children and parents alike.

Chosen by the Sunday Times (London) as one of its 99 Best Books for ChildrenThe people of remote Inishrone, a few miles off the Connemara coast, know better than to go to the Island of Horses. Everyone has heard tales of men who have gone there and never come back. Yet one day young Pat Conroy and his friend Danny MacDonagh head off anyway, telling their parents that they are fishing for eels. On the island they find no ghosts but many mysteries, including a beautiful—and tame—black colt. But when they return home, with the colt in tow, they find themselves launched into a world of trouble. Before their adventure is over, the boys must brave rough seas and the murderous duplicity of a conniving horse trader, with only the advice of Pat's frail grandmother and their own good sense to guide them.A loving, clear-eyed portrait of rural Irish life, The Island of Horses is fraught with suspense and peopled with unforgettable individuals.

Before Amelia Bedelia and the Stupids there were the Peterkins. The Peterkin Papers collects all of Lucretia Hale’s beloved tales of a thoroughly silly family.The Peterkin Papers record the antics of the most memorably and hopelessly bumbling of respectable American families. Confronted by the endless challenges of daily life, the Peterkins rise to every occasion with misguided aplomb: they sit out in the sun for hours and fail to go for a ride because they’ve forgotten to unhitch the horse, they play the piano from the porch through the parlor window because the movers left the keyboard turned that way, they decide to raise the ceiling to accommodate a too-tall Christmas tree. Only the timely intervention of their great and good friend, the Lady from Philadelphia, can be counted on to get the Peterkins out of their latest scrape.A classic of American children’s literature and a masterpiece of deadpan drollery, The Peterkin Papers restore our astonishment at the ordinary, finding a rich vein of humor and happy surprise in the mere fact of our surviving the trivialities and tribulations of family life.

London hasn’t been kind to Peter, a lonely boy whose parents are always out at parties, and though Peter would love to have a cat for company, his nanny won’t hear of it. One day, as Peter is walking out the door, he sees a truck bearing down on a tabby. Dashing out to save the cat, he is struck by the oncoming truck himself. Everything is different when Peter comes to: He has fur, whiskers, and claws; he has become a cat himself! But London isn’t any kinder to cats than it is to children. Jennie, a savvy stray who takes charge of Peter, knows that all too well. Jennie schools young Peter in the ways of cats, including how to sniff out a nice napping spot, the proper way to dine on mouse, and the single most important tactic a cat can learn: “When in doubt, wash.” Jennie and Peter will face many challenges—and not all of them are from the dangerous outside world—in their struggle to find a place that is truly home.